a pictured explained
Posted on Jun 1st, 2008
by
Farland
First a pre-amble to the day: Mid morning I had been standing still for too long posing for a fastidious photographer friend. I was thinking about the idea of living every day as though it was your last. I was changing that around in my head. Living every day as though you had a thousand years left as if you had all the time in the world. So I stood and moved an inch sideways to keep aligned with the sun and shadows and stayed with the moments of the standing, like the trees.
Here is the rest of the day. I drove early into Moab to meet with a friend. He is in the midst of creating a series of portraits with camera of people in Moab. An old river guide, a climber woman, me (what am I?). We were looking for more faces. There is a wonderful dilapidated rock and artifact and dinosaur bones shop at the far end of town. We were looking for the owner, Lin, a man in his eighties. His Son, Sonny, gray bearded Santa-like, was behind the counter selling chunks of quartz and petrified wood to tourists. He said his father was out hunting rocks and called his cell phone. (I asked what kind of ammunition he uses to hunt rocks.) He told us his father would be back at the warehouse at noon. Then he went back to his customers without telling us where that was. We waited. Sonny waited. He waited for us to breath in the slow lumbering pace from the dust of the fossils. Then he gave us some directions. I went to my storage place to pick up my bikes and unicycle. I loaded them in the truck and we went to find the warehouse. Sonny was there back-dropped by his father's fleet of VW buses. They were lined up on a loft shelf like a set of encyclopedias. He had used them in the sixties to give tours of Canyonlands. That biggest flesh eating dinosaur the T-Rex from filming Jurassic Park was there too and a thousand other things grouped. We waited and the waiting was easy. Outside was a garden of old metal mixed with wildflowers and wire. Sonny called his father. He was having lunch. A geologist arrived the kind who know about gold veins. He collected tracks, fossil-ed tracks. He said bones were bones but tracks told stories. Sonny brought out on a fork lift some great slabs of sandstone criss-crossed with prehistoric footprints and Lin ambled in. The three men settled into a long conversation about moving the rocks. We waited. Lin was a reluctant portrait model. He was more interested in the old 4X5 camera. He had shelves of old cameras dust obscured somewhere around. He eventually sat. After some photos were taken he squirmed and said he had to get back to work. He began telling stories. He knew Edward Abbey. They drank beer together. He claimed Ed had gotten the name "The Monkey-wrench Gang" from his own collection of monkey-wrenches. The geologist had seen them, hanging on a wall in a dark secret room. Gnomi and Sticky were all this time waiting hot in the truck. I went to leave and Sonny saw my unicycle. He said he knew how to ride. The tire was flat. They had an air compressor and filled it. Sonny said he's learned on a ship when he was in the Navy. He'd unicycled in Manila. He hopped on in the warehouse, wobbled a bit and pedalled away. His father and the geologist watched as he unicycled past the slabs of ancient tracks.
The day had filled to overflowing like a bucket left under a slow drip overnight.
Here is the rest of the day. I drove early into Moab to meet with a friend. He is in the midst of creating a series of portraits with camera of people in Moab. An old river guide, a climber woman, me (what am I?). We were looking for more faces. There is a wonderful dilapidated rock and artifact and dinosaur bones shop at the far end of town. We were looking for the owner, Lin, a man in his eighties. His Son, Sonny, gray bearded Santa-like, was behind the counter selling chunks of quartz and petrified wood to tourists. He said his father was out hunting rocks and called his cell phone. (I asked what kind of ammunition he uses to hunt rocks.) He told us his father would be back at the warehouse at noon. Then he went back to his customers without telling us where that was. We waited. Sonny waited. He waited for us to breath in the slow lumbering pace from the dust of the fossils. Then he gave us some directions. I went to my storage place to pick up my bikes and unicycle. I loaded them in the truck and we went to find the warehouse. Sonny was there back-dropped by his father's fleet of VW buses. They were lined up on a loft shelf like a set of encyclopedias. He had used them in the sixties to give tours of Canyonlands. That biggest flesh eating dinosaur the T-Rex from filming Jurassic Park was there too and a thousand other things grouped. We waited and the waiting was easy. Outside was a garden of old metal mixed with wildflowers and wire. Sonny called his father. He was having lunch. A geologist arrived the kind who know about gold veins. He collected tracks, fossil-ed tracks. He said bones were bones but tracks told stories. Sonny brought out on a fork lift some great slabs of sandstone criss-crossed with prehistoric footprints and Lin ambled in. The three men settled into a long conversation about moving the rocks. We waited. Lin was a reluctant portrait model. He was more interested in the old 4X5 camera. He had shelves of old cameras dust obscured somewhere around. He eventually sat. After some photos were taken he squirmed and said he had to get back to work. He began telling stories. He knew Edward Abbey. They drank beer together. He claimed Ed had gotten the name "The Monkey-wrench Gang" from his own collection of monkey-wrenches. The geologist had seen them, hanging on a wall in a dark secret room. Gnomi and Sticky were all this time waiting hot in the truck. I went to leave and Sonny saw my unicycle. He said he knew how to ride. The tire was flat. They had an air compressor and filled it. Sonny said he's learned on a ship when he was in the Navy. He'd unicycled in Manila. He hopped on in the warehouse, wobbled a bit and pedalled away. His father and the geologist watched as he unicycled past the slabs of ancient tracks.
The day had filled to overflowing like a bucket left under a slow drip overnight.

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